On Literature and Teaching

 '" Free as a bird ", we say, and envy the winged creatures for their power of unrestricted movement. But, alas, we forget the dodo . Any bird that has learned how to grub up a good living without being compelled to use its wings will soon renounce the privilege of flight and remain forever grounded. Something analogous is true of human beings'. (A. Huxley) Victor Hugo once quoted an acquaintance of his, R. Girardin, who told him something that makes even more sense to us today: 'What is most dangerous and most to be feared is not the abyss, but the slope ’. Profound words, which remind us of what Montaigne said: ‘ La mort n’est rien, le mourir est tout ’ – Death is nothing; dying is everything . What Girardin pointed out to the French poet (and novelist) is that while one may fear the gaping hole and the unknown that lies at its bottom, the main problem is the descent in that hole, the sliding in towards that gaping hole – that fear, that unknown, that ending. ...

  Fiction as a safe place When it comes to citizenship education, a great many approaches can be taken, depending on which aspect of it you want to emphasise, or work on: you may be interested in the ‘Norms and values’ aspects, and want to come to grips with the workings of the democratic system, say. Or you may want to concentrate on the skills needed, for example communication skills; or you may focus on global citizenship, aspects of culture and inter-cultural communication and multi-cultural societies. Or you may be more interested in attending to critical thinking and its development in your learners. One issue any such approach will have, however, is that of loyalty. Loyalty to a family, loyalty to traditions, loyalty to a belief (system), loyalty to a culture. The bond that loyalty creates is strong, and will often override such notions as objectivity, multi-perspectival approach and willingness to consider different viewpoints. Thus when discussing, say, Dutch democracy...

  Short, even very short…but powerful One constant problem for teachers of literature at secondary schools is to do with preparation: that of the learners as much as that of themselves. Learners, when asked to read a text in advance, will usually turn up not having done so; or if they have, it was probably just a glance, or a quick read-through, maybe a few minutes only before the lesson started. (To be fair, I’ve know the opposite albeit only rarely, when a student would read the texts so much in advance that they’d sort of forgotten everything about them when lesson-time came round). We all know the consequences of that non-reading-in-advance problem: what to do in class if no-one’s read the text? Some solutions spring to mind of course, like handling the text then and there when class starts for example. But that often leads to more problems because those texts will usually be too long to be read in class, or will at least take up so much time of said class that there will...

  Over the last few decades, a lot of publications have appeared on the importance of using literature at schools – or, in more general terms, the importance of literature tout court . So variously, literature has been found to be good for empathy, perspective-taking, language development, culture, historical knowledge, personal growth, critical thinking, citizenship or both at the same time . Of course, we are all aware that at the same time, reading is declining (for example in England , in The Netherlands , in France ), parents and educators complain young people don’t read, can’t read, won’t read, even if we can all see that those same parents and educators must, by definition, form part of this non-reading public. Do as I say, not as I do. So we can see it coming, not because we can predict the future but because that future is already here: reading literature is a niche activity, one undertaken by a very small subset of our populations and largely upheld by education syst...

  One aspect of the research published around the teaching of literature ( literatuuronderwijs , in the Netherlands) is how often it is conducted with the higher reaches of schools: vwo 5, vwo 6 for example. Or that research is conducted with an implicit line of development: it starts in Year 1 at secondary school and finishes in Year 6. And because only vwo go to Year 6, it’s clear that if you’re not in vwo, you’ll stop short of achieving whatever those in vwo can (or are supposed to) achieve: that’s exemplified in the oft-quoted ‘literary competence’ of Witte, which, let’s be honest, makes little sense. Why on earth would we want all our students to be literary competent? What for? To be experts at reading a niche market like literature? Why then leave visual literacy – surely a much more pressing problem in the world of social media – out of education? And the biggest problem is of course: does that mean those in vmbo or havo can have no hope – are given no hope – of reachin...

  One of the most famous questions asked in linguistics – and there are a few – relates to the way language might influence our perceptions, and in particular whether the language you speak restricts your perceptions, or at least forces you to perceive in this way rather than that way. That’s what is known as the Sapir-Whorf hypothesis, with more or less strong versions. And while the strong version of their hypothesis (that the language you speak influences your perceptions) has largely been abandoned, milder, so-called weaker versions have been shown to operate in the world. When Frederic Jameson, the literary critic and theorist, wrote his seminal book ‘ The Prison-house of language’ (1972), he was partially referring to that idea, something Barthes or, of course, Derrida, were keen to emphasise as well. You inherit the language you speak: from people, from history, from a culture – the language you speak every day is not transparent, it is loaded, it carries ways of thinking th...

  Yet another study on reading was published in France last week , and it’s yet another study showing the same results as observed in England a few months ago  or in the Netherlands in 2021   and again in 2022 . Briefly, young people read less than they used to (which, to be fair, has been very little for a while now), and the ratio reading-a-book vs staring-at-a-screen is inversely growing. For example, the French study found that on average, adolescents spend ’19 minutes a day reading, and 3h11 on their telephone’ . When focusing on the 16-19 year-olds, that ratio increased: ‘ 12 minutes of reading vs 5h10 on their phone’ . And perhaps even more problematic in some way, ‘ 48% of readers do something else while reading’ , like visit websites, watch videos or send messages (this goes up to 69% among the 16-19 year-olds). This had already been observed in the Netherlands, where most young readers especially (but not only) would have at least one screen on while reading....

 At the heart of every literature class, there are some questions we hardly ever hear asked, or even acknowledged. Yet, in order to determine what we do, why and what for, it is essential that we do ask those questions, however uncomfortable they may make us feel. Ignoring them means missing the very point of our classes: why do we do what we do, what do we want to achieve, and the most important of all: do we in fact achieve what we claim? Can we achieve it?   Q.1: How difficult is it to read fiction? That is something we tend to forget, especially if we like to read ourselves: reading is not easy, and it’s one of those things where the reward might be long delayed, or, in any case, will take long to reap. Reading is time-consuming: chronophage , as we say in French, it eats (devours) time. Watching a complete episode, with a beginning, middle and end, of a series on Netflix will take 45 minutes; in that time, you will have read, what, 20 pages of a normal quality n...