On Literature and Teaching

  Fiction as a safe place The great, late French historian Paul Veyne, having shown that the ancient Greeks both believed and did not believe in their own myths, asks a question: what was the use of those myths for the Greeks then? Why did senators routinely use mythical references and examples in their speech to their fellow politicians? Veyne’s answers is that it enabled them to discuss actual political matters in a roundabout way, so that political sensibilities would not be hurt by hearing a particular problem discussed openly. In other words, senators would use a myth to introduce a question at play in Athens’ society, but which was too sensitive to some to be aired directly: it needed to be metaphorised , in a way – it needed to be about problem A but discussed in terms of Myth B. This Fiction-as-a-safe-place is one of the great advantages of using literature in class to discuss citizenship-related issues. The Council of Europe (2018), among others, breaks down Citize...

  In a previous blog, I quoted Lars Svendsen in his ‘ The Philosophy of Boredom’ : ‘ Information and meaning are not identical. To simplify, one could say that meaning consists of assembling small parts which fit together to form a bigger whole, whereas information is the opposite ’. Any teacher worth their salt will have seen through this and will have related it to a well-known principle of learning: inductive vs. deductive methods. So let’s see whether this can be applied to reading books, too – and why it matters to do so. After all, 'meaning' is what we're after... As a reminder – and perhaps simplistically –   deduction is the formulating of examples from a rule; induction is the formulating of a rule from examples. In the class, deductive teaching often takes the form of a teacher writing/explaining a rule (e.g. How to form the present perfect) and asking learners to apply that rule across a body of examples/exercises. Inductive teaching would be learne...

  What’s your reason for 'doing' literature in your class? What’s your reason for handing out this or that text? For doing this or that project around literature? For example, you have this great project in the bovenbouw, centred around the First World War – a staple of English classes in this country. WW1 saw a school of poetry emerge (the Great War poets, unsurprisingly) that other countries didn’t, or certainly not on the same scale. So out come Wilfried Owens, and Sassoon, and the Poppy Fields, and the sadness of it all. Out come the chronologies, and facts about that war, and tales of battles lost and won, and tales of death. But what, exactly, precisely, are your reasons for this project? Are these reasons to do with Literature-reading, literature-interpreting, literature-as-instrument? Or are the reasons to do with ideas about what learners should know historically and culturally? Is it to say 'War is bad, death is terrible', or do you want to explore the...