On Literature and Teaching

  Occasional readers, or reluctant ones, or those dealing most regularly with texts without enormous literary value, are often stumped when it comes to novels where little happens, where characters are not – in E.M. Forster’s formulation – ‘round’, and where the plot is little more than a vehicle for exploring an idea. Such texts are then described as ‘being about nothing’, or ‘boring’, and the final gesture will be either one of dismissal – ‘I don’t like it, it’s crap’ – or incomprehension tinged with bewilderment: ‘I don’t get it, what is it about?’. Those reactions are pretty common when it comes to Magnus Mills, author of some fifteen novels so far as well as several works of short-stories. But such reactions also remind us of what most people expect from ‘Literature’: it’s got to be well-written ( Oh, it’s so beautiful! ), preferably with epigrammatic pronouncements on Life and Human Nature, with characters that evolve and learn, it’s got to be a lesson in living-your-life, ...

 '" Free as a bird ", we say, and envy the winged creatures for their power of unrestricted movement. But, alas, we forget the dodo . Any bird that has learned how to grub up a good living without being compelled to use its wings will soon renounce the privilege of flight and remain forever grounded. Something analogous is true of human beings'. (A. Huxley) Victor Hugo once quoted an acquaintance of his, R. Girardin, who told him something that makes even more sense to us today: 'What is most dangerous and most to be feared is not the abyss, but the slope ’. Profound words, which remind us of what Montaigne said: ‘ La mort n’est rien, le mourir est tout ’ – Death is nothing; dying is everything . What Girardin pointed out to the French poet (and novelist) is that while one may fear the gaping hole and the unknown that lies at its bottom, the main problem is the descent in that hole, the sliding in towards that gaping hole – that fear, that unknown, that ending. ...

  Resisting cognitive outsourcing with literature Although there has not yet been enough time to know for certain, an increasing number of scientific studies on the effects of GenAi (like Chatgpt) on the brain are beginning to appear, and one term keeps coming back: Cognitive outsourcing . What that means is simply that the cognitive effort required for certain tasks is delegated to the machine: you outsource your thinking, so to speak. 'So to speak' because ‘Thinking’ really needs to be better defined: the vaguer your terms, the vaguer your thinking with and from them. ‘Thinking’ involves not only the logical tools necessary in analysing, drawing conclusion, making connections: it’s also to do with your desire to use such tools, your dispositions towards implementing thinking skills to understand the world. In that sense, when it comes to GenAI use, Cognitive Outsourcing really means leaving all those aspects of thinking to the machine. The problem is what those scientific...

  One aspect of the research published around the teaching of literature ( literatuuronderwijs , in the Netherlands) is how often it is conducted with the higher reaches of schools: vwo 5, vwo 6 for example. Or that research is conducted with an implicit line of development: it starts in Year 1 at secondary school and finishes in Year 6. And because only vwo go to Year 6, it’s clear that if you’re not in vwo, you’ll stop short of achieving whatever those in vwo can (or are supposed to) achieve: that’s exemplified in the oft-quoted ‘literary competence’ of Witte, which, let’s be honest, makes little sense. Why on earth would we want all our students to be literary competent? What for? To be experts at reading a niche market like literature? Why then leave visual literacy – surely a much more pressing problem in the world of social media – out of education? And the biggest problem is of course: does that mean those in vmbo or havo can have no hope – are given no hope – of reachin...

A rush of thoughts is the only conceivable prosperity that can come to us (Emerson) In the numerous debates around AI that have been taking place lately, we have all heard ‘ tout et son contraire ’, as we say – we heard everything in all directions, for all arguments. Some say it will save the world, some that it will destroy it; some claim AI will make us better, or freer, or more creative, or more intelligent, while others will claim the exact opposite – time gained will be spent on scrawling, not learning, we will forget simple stuff, we will lose ourselves and what makes us who we are. Bertrand Russell wrote (I think in the 30s?) a little book on how we would all benefit from having 4-hour work- days: instead of slaving away behind a desk or at a machine for eight hours each day, let’s work less and create time for ourselves. Russell’s hope was that we’d use that time to educate ourselves so as to become better people. A claim many AI-supporters replicate today, in all shapes a...

  ‘ The aim of literary study is not to amuse the hours of leisure; it is to awake oneself, it is to be alive, to intensify one’s capacity for pleasure, for sympathy, and for comprehension. It is not to affect one hour, but twenty-four hours. It is to change utterly one’s relations with the world. Not isolated and unconnected parts of life, but all of life’ (Arnold Bennett, 1901).   ‘Those who can, do; those who can’t, teach’. How many times have we heard that old saw? Because, really, can you teach something you can’t do? Well, yes, there is a way: by theorising that very thing you can’t do, or would like to do, or, well, that thing you teach. Or by canonising it, so you don’t have to engage with it. And here it is important to remember what happened to literature as an object of study. Despite arguments about who – and when – was the first, it is clear that there was no English Degree until late in the 19 th Century – that is, a university degree entirely dedicated t...

  There sometimes seems to be a misconception around the use of literature (= fiction) in class as regards the time needed, the nature of the texts used, the activities organised around it, and the way we teachers can work on citizenship-related issues. Very broadly speaking (as I know for a fact that many teachers devote hours and hours of their own time to devise a curriculum), we could say that many schools: ·        See fiction as an example of a time-period or a context, where a text becomes a fact ( who, when, what about ), an exemplar – the text is not discussed because essentially it is a label and a cultural-historical object (for example: Byron was a romantic, we’re having a project on Romanticism, so Byron’s name is mentioned as one of the romantic poets; nothing further is done with his texts than showing one of them). ·        See literature classes as isolated from the rest of the world, and therefore t...